A groovy Jig Rhythm pattern

 

 

 

 

 

 

 

 

 

This is a groovy Jig Rhythm pattern. Found it on the CD Wooden Flute Obsession 2 Disk 2 on the tune Fly on the porter. Sorry, key signature is wrong, has to be G for D Mixolydian.

Link to the tune on thesession.org:

https://thesession.org/tunes/4225

Jig Rhythm

 

Schöner, grooviger Jig Rhythmus.

Crosspicking Exercise

 In einem Workshop von Frances Cunningham hat sie diese Übung für das Crosspicking gezeigt:

Im Jig-Rhythmus. Besonders hier ist, dass der erste Abschlag immer auf der unteren Saite gespielt wird, während die 3 und 6 immer auf der oberen Saite gespielt werden.

Polka Rhythm

 Gerade ein schönes Bodhran Video auf youtube gefunden. Matt Bell erklärt den Polka Rhythm. 

Hier erst einmal das Video:

 

 In Noten sieht das dann so aus:

 

 

 Also mal auf die Bouzouki übertragen könnte das so klingen.

Donal Lunny, Roisin Elsafty, Mairtin O‘Connor - Pota Mor Fatai

 Schöne Liedbegleitung von Donal Lunny. Zum Teil in DMix, wechselt dann zu Dm und wieder zurück.

Hier mein Tab zum Intro und erster Strophe:

 

Jamie Raeburn

 

 

 

{t:Jamie Raeburn's Farewell - bearbeitet}
{metronome: 73}
{c:The Tannahill Weavers}
{pause: 15}
No Capo

Intro: Low D, 2x erste Zeile, kurze Pause

My [Bm]name is Jamie [G]Raeburn, in [A]Glasgow I was [Bm]born
My [Bm]place and habitation I’m f[A]orced to leave with [Bm]scorn;
From my [Bm]place and habitation I [D]must now gang [A]awa’
Far [Bm]from the bonnie [G]hills and dales o’ [A]Caledoni[Bm]a

Whistle:
It was [Bm]early in the [G]morning just [A]by the break of [Bm]day,
The [Bm]turnkey he came to us, and [A]unto us did [Bm]say:
A[Bm]rise ye hapless convicts, a[D]rise ye one and [A]a’’,
This [Bm]is the day ye [G]are to stray, from [A]Caledoni[Bm]a


We [Bm]all arose, put [G]on our clothes, our [A]hearts were full o’ [Bm]grief,
Our [Bm]friends who stood around the coach, could [A]grant us no [Bm]relief;
Our [Bm]parents, wives and sweethearts dear, their [D]hearts were broke in [A]twa,
To [Bm]see us leave the [G]bonnie braes, o' [A]Caledoni[Bm]a


Fare[Bm]well my dearest [G]mother, I'm [A]vexed for what I've [Bm]done,
I [Bm]hope no/one cast /[G]up to you the /[A]race  that I have [Bm]run;
I [Bm]hope God will protect you when [D]I am far a[A]wa',
Far [Bm]from the bonnie [G]Hills and dales, o' [A]Caledoni[Bm]a.

Whistle:
Fare[Bm]well my honest [G]father, ye [A]were the best o' [Bm]men,
And [Bm]likewise my ain sweetheart, it's [A]Catherine is her [Bm]name;
No [Bm]more we'll walk by Clyde's clear stream or [D]by the Broomie[A]law,
For [Bm]I must leave the [G]hills and dales, o' [A]Caledoni[Bm]a

Hi To The Beggar Man

 

 

Hi To The Beggarman}
{st:Dubliners, Clancy Brothers}


The [D]night being dark and very [A]cold,
A woman took pity on a [A]poor old soul
[D]She took pity on a poor old soul
And asked him [A]to come [D]in
 
 
{soc}
With a [D]too-roo roo-roo rantin [A]hi,
A too-ra loo ra [A]fol-a-diddle-y
[D]Too-roo roo-roo rantin hi,
And hi for the [A]beggar[D]man
{eoc}


He [D]crept into a cozy [A]nook,
He [G]hung his coat u[A]pon a hook
He [D]hung his coat upon a hook
And merrily [A]he did [D]sing

{soc}
With a [D]too-roo roo-roo rantin [A]hi,
A [G]too-ra loo ra [A]fol-a-diddle-y
[D]Too-roo roo-roo rantin hi,
And hi for the [A]beggar[D]man
{eoc}

When [G]he awoke at the [A]first day light
He [G]gazed upon a lovely [A]sight
He [G]gazed upon a [D]lovely sight
'Twas the [G]daughter [A]of the [D]house

{soc}
With a [D]too-roo roo-roo rantin [A]hi,
A [G]too-ra loo ra [A]fol-a-diddle-y
[D]Too-roo roo-roo rantin hi,
And hi for the [A]beggar[D]man
{eoc}

They spent the time in sport and play
He said to her will you away
He said to her will you away
And follow the road with me
 
When the mother arose she looked around
No sign of her daughter could be found
No sign of her daughter could be found
She's away with the beggarman

{soc}
With a [D]too-roo roo-roo rantin [A]hi,
A [G]too-ra loo ra [A]fol-a-diddle-y
[D]Too-roo roo-roo rantin hi,
And hi for the [A]beggar[D]man
{eoc}

Three years went by and one late hour
There came a knock upon a door
There came a knock upon a door
And there was the beggarman

{soc}
With a [D]too-roo roo-roo rantin [A]hi,
A [G]too-ra loo ra [A]fol-a-diddle-y
[D]Too-roo roo-roo rantin hi,
And hi for the [A]beggar[D]man
{eoc}

"Would you [D]like to see your daughter [A]now,
[G]With two babies [A]on her knee
[D]With two babies on her knee
And another one [A]coming [D]on?"

"For [D]yonder she sits and yonder she [A]stands,
The [G]finest lady in [A]all the land
[D]Servants there at her command
Since she went with the [A]beggar[D]man"

{soc}
With a [D]too-roo roo-roo rantin [A]hi,
A [G]too-ra loo ra [A]fol-a-diddle-y
[D]Too-roo roo-roo rantin hi,
And hi for the [A]beggar[D]man
{eoc}